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Welcome Katie O’Rourke

Today it is my pleasure to introduce to you Katie O’Rourke, author of Blood & Water. It’s on sale this week for 99¢. I just downloaded my copy and hope you will, too.

Thanks Katie, for telling us about your writing practice:

1. Tell me about yourself. When did you start writing & how to you get your ideas:

I’m a hybrid author. My debut novel was traditionally published by LittleBrown in 2012. My third novel was chosen for publication by KindleScout in 2015. I’ve self-pubbed a few books in between. It was during my last semester of college that I was introduced to “creative nonfiction” and that was the bridge that led me to write fiction (after years of writing angsty, introspective poetry). People who know me well can find the sections in my novels that have been “stolen” from real life. All of my characters are created from fragments of actual people, but none of my characters are based on a single person.

2. Are you writing a series?

I write family sagas with overlapping characters, so they’re all connected. My current work in progress is my first actual sequel.

3. Do you have a writing routine?

I like to write while listening to music. I don’t focus as well in silence. I’ve never been the kind of writer to force daily outputs, but I participate in Nanowrimo most years to kickstart a project and help me get organized. I’m otherwise pretty distractable!

4. Advice for aspiring writers:

Here’s the thing: writing advice is so valuable. I love to listen to different writers share their different approaches for what works for them. It’s inspiring and it always reminds me how many different paths there are to a similar goal. The problem with writing advice is that often it’s delivered as if it’s coming from an expert who is letting you in on an absolute secret about the definitive correct way to do it.

My advice is that before you take advice (even mine), do two things: 1. consider the source and 2. decide if the advice rings true for you.

If you’re a big fan of Stephen King and you’re interested in learning how to write the kind of books he writes in the way he writes them, you might want to read On Writing. There are other helpful manuals written by other kinds of writers. Find one that’s right for you. Not everyone writes like Stephen King or Charles Bukowski or Earnest Hemingway or Anne Lamott or Ray Bradbury or Sol Stein. Not everyone wants to. I’m sure each one of those authors has helpful nuggets of wisdom to share and I think new writers should be open to all of it, but skeptical when it doesn’t resonate.

The one-size-fits-all advice is something I see more and more as writers are pressured to create content for blogs that will strengthen their “platform”. I don’t think it’s helpful and I’m especially dismayed by how-to book writers claiming to be experts so they can make money off newbie writers. I think it’s exploitative.

Writers who make it through the gauntlet to publishing should absolutely share what worked for them with writers coming up after them. The stories are as fascinating as they are diverse. Some writers get an MFA while others are self-taught. Some writers plot everything out on color-coded note cards while others begin writing without any idea where their characters will take them. Some writers work in seclusion while others rely on supportive writers groups. Some edit only when their first draft is complete while others edit as they’re writing.

The more of these stories you hear, the clearer it becomes that there are many different ways to do it. I think, especially for new writers, the biggest lesson to learn is which advice to take and which advice to ignore.

About Blood & Water

Tucson, Arizona is a place for runaways. Everyone came from somewhere else and has a story about what they left behind.

Delilah arrives on her brother’s doorstep with a secret. She hasn’t seen him in five years. He ran away from their family long ago for reasons no one talks about and she still doesn’t understand. The stress of raising his teenage daughter alone sometimes makes David envious of his deliberately childless friends, Tim and Sara, but they’re runaways too, harboring secrets of their own. Blood & Water tells their stories and traces the deep connections between this unlikely group of friends.

This novel is about family, in its various manifestations: the one you’re born into, the one you choose and the one you create.

BUY THE BOOK

Katie can be contacted on Facebook and Twitter.

Meet Susan Haught

This week I’m teaming up with some Arizona-based fellow writers. We’re all running 99¢ sales on our books. It’s my pleasure to introduce to you Susan Haught. I love that her husband built her a “she-shed” so she can write in peace!

1. Tell me about yourself. When did you start writing & how to you get your ideas?

Good morning! I’m honored to be Margaret’s guest today, so before your coffee gets cold, allow me to introduce myself. My name is Susan Haught and I’m a black liquorice connoisseur (Australian and Finnish are to die for), coffee addict, wine sipper, and brown-thumb gardener who spends a good deal of time murdering the plants unfortunate enough to come home with me. It’s not pretty. I’m also an award-winning author who writes deeply emotional stories of family, friendship, and the healing power of love. I think I’m a little handier at stories than I am with gardens. I call the central mountains of Arizona home, and spend my days training my husband of 45 years, catering to our extremely precious Shih-Tzu, Sadie, visiting our son, and spoiling his Yorkie, Ryleigh—yes, he named her after the main character in A Promise of Fireflies—how cool is that?

My interest in writing started in 3rd grade when my teacher read my summer vacation story out loud to the class. I was mortified! You see, our family rarely took summer vacations and I’d made the whole thing up, so I got away with my first attempt at telling lies for fun at the ripe old age of eight. A major children’s magazine published a short story of mine when I was in my twenties, but I didn’t start writing novels until our son was grown and gone. A small publisher picked up my first three novellas, but I chose to go a different route and self-publish my first full-length novel, A Promise of Fireflies. I’m older than dirt, so time was a major issue in the decision.

My ideas come from everywhere…small tidbits of conversation. An article. A TV show. Ads. A walk around the block, or an interesting character I come across. Something will trigger an idea in my mind and I think, “What would happen if…” The possibilities are endless. The world around me is a gold mine of ideas, little sparks that sometimes fan the flames of a story idea. Other times, it’s sitting quietly or fast asleep when the ghost of an idea will pop into my head. I keep notebooks everywhere so I never miss an opportunity to jot down an idea. My stash increased this Christmas when Santa put a waterproof note pad in my stocking. Does he know me, or what?

2. Are you writing a series?

Yes, my series is titled Whisper of the Pines. There are four books and I’ve just come up with an idea to bring back the couple in A Promise of Fireflies for a Christmas adventure. I’ve missed Logan and Ryleigh and I’m excited to live among old friends again. Whisper of the Pines is a fictional resort along Fall River near Estes Park, Colorado, an area of the Rocky Mountains that takes my breath away. Although the books don’t all take place at the resort, it does play a role in each book. I plan two more books in the series and then I’ll be ready to begin something new and different.

3. Do you have a writing routine?

My writing routine varies. I need absolute quiet when I write and when my husband retired I thought I was going to go nuts, bury his body under the house, or stop writing altogether. He wouldn’t go back to work (not very nice of him, was it?) so he built me a She-Shed. It’s complete with A/C, heat, a coffee and wine bar, and decorated with a beach theme. I named it No Boyz Allowed, and he knows he’d better be bleeding from a main artery or tell me the house is on fire if he chooses to disturb me. So far, so good. It works out nicely, and it was cheaper than a divorce! I write from 4-8 hours a day in my cozy little She-Shed, but that doesn’t always happen. Life, you know?

4. Advice for aspiring writers?

I think the main suggestion I have for aspiring writers is to learn the craft. Please don’t do what I did…finish a manuscript only to discover after all that hard work it’s a train wreck—every single car completely off the track. I knew nothing about point of view, characterization, dialogue tags, adding emotion, or how to plot without boring the reader to death. Each time I’d learn something new, I’d rewrite it. And then I’d do it again. When I was finally ready to let A Promise of Fireflies out into the world, seven years had passed. Talk about a long labor! But Fireflies went on to earn an award for outstanding fiction in self-publishing. Book 2, A Thousand Butterfly Wishes, also won an award for outstanding fiction in self-publishing. And Writer’s Digest (judge 17) gave The Other Side of Broken (Book 3) a shout-out saying it is “a novel not to be missed and placed 4th in the Ink & Insights master category book awards, and one judge said, “This is exactly what women’s fiction is supposed to be.” And I found out yesterday that I was named Rim Country’s Best Writer by the Payson Roundup (local award).

Learn the craft inside and out, keep writing, and never give up on your dreams.

Women’s Fiction: The Power of Sisterhood

The Women’s Fiction Writers Association is a nation-wide, online group offering connection, classes, critique groups, and other helpful programs for authors. It also offers two annual competitions: The Star Award for published books of women’s fiction, and the Rising Star Award, for unpublished novels. Last year I was a judge for the Rising Star Award and enjoyed it so much that I volunteered to judge this year’s Star Award. It’s a lot of reading, but that’s what I do.

This week, I’m teaming up with two other Arizona based members of WFWA to offer a 99¢ ebook sale of our books. My novel, Lipstick on the Strawberry, is on sale through March 1, and Susan Haught’s and Katie O’Rourke’s books will go on sale February 19-25th. I’ll interview these writers this week on my blog.

Happy reading!

Valentine’s Victoria Sponge

Who knows why this very British cake is called Victoria Sponge? It’s not elaborate; the ingredients are simple. And it comes topped with cream and strawberries. For that reason, I’ve chosen this as a Valentine’s Day cake. Chocolate is always delicious, but so predictable on this day of romance. Strawberries are equally delicious and, as in my book, Lipstick on the Strawberry, associated with love.

This cake, as with all genoise cakes, bakes up on the dry side. That’s why moistening the top of the layers with macerated liquored strawberries gives it that little extra. Or simply use thick strawberry jam mixed with kirsch to moisten in the same way.

Ingredients:

Cake

Cooking spray for the pans
1 ½ cups cake flour, sifted three times
½ cup sugar
5 eggs
¼ cup melted butter
1 teaspoon vanilla extract

Strawberry Filling

2 cups strawberries, washed and hulled
3 tbs sugar
2 tsp kirsch
1/8 tsp salt

Or, if you are pressed for time, use 2 cups best-quality strawberry jam, plus the other ingredients.

Cream Topping

1 ½ pints heavy cream, chilled
3 oz powdered sugar

Method

This cake achieves its lightness without the addition of baking soda or powder because it is beaten to an airy froth while warm.

Bring the ingredients to room temperature.

Preheat the oven to 350F. Spray two 9 -inch cake pans, and cover the bottom of each with parchment paper cut to size.

Sift the flour and melt the butter gently.

Bring a large saucepan of water to the simmer. Your mixing bowl should be able to just fit inside the top of the pan so its bottom is over, but not touching, the simmering water.

First, mix the eggs in the bowl in a stand mixer until frothy. Beat in the sugar till it is blended with the eggs. Then put the bowl over the pan of water on the stove and whisk the egg-sugar mixture for 3-4 minutes till it is warm.

Remove the bowl to the stand mixer and beat on high or so until it becomes thick and light and the texture of whipped cream. Separate the already sifted flour into three batches, sift each over the mix and gently fold in each addition. Meanwhile, reheat the butter until hot, and pour into a small bowl. Take one and a half cups of the egg mixture and incorporate into the butter, together with the vanilla. Fold it all gently back into the larger egg/sugar mix bowl.

Pour the batter into the two pans and bake for 20 minutes until the cake starts to pull away from the sides. The top should spring back when touched with your finger. Do not overbake.

Remove from the oven and cool on wire racks for 10 minutes, then run a knife around the edges of the cakes and invert onto racks to cool completely.

Meanwhile, make the strawberry mash filling. Reserve two dozen of the most beautiful strawberries. Cut up the remainder and toss with the sugar into a bowl and let sit for one hour.

Strain the juice from the berries and reserve, to make half a cup. Pour into a small saucepan and add the kirsch. Heat gently and cook until the mixture is syrupy. You should have about 3-4 tbs. Remove from the heat and reserve.

Put the sugared berries into a food processor and chop. This will yield about 1 ½ cups.

Add these processed berries to the syrup, stir in the salt, and wait till the cake is cooled.

If using jam instead of fresh berries, heat it gently in a saucepan and add the kirsch. Let sit so the flavors mingle.

When the cakes are completely cool, take a cake platter and prepare it by cutting four long strips of parchment paper to cover it. This will keep the platter clean while you assemble the cake.

Whip the cream, adding sugar when soft peaks form, until the cream forms stiff peaks.

Carefully lift one cake from its pan and lay on the paper. Spread half of the macerated, liquored berry or jam-kirsch mix onto the cake, leaving about half an inch around the border. With a rubber spatula, carefully cover this layer with half of the whipped cream, again leaving space around the border.

Place the second cake layer on top of the first, pressing gently down. The cream will squish out to the edge of the cake. Repeat the steps of covering this layer with strawberries or jam, then whipped cream.

Now, pull out the parchment strips from under the cake, very carefully. Don’t worry, any little flaws that are caused in the cake by pulling out the strips can be hidden by a ring of berries.

Finally, halve the reserved berries and put them around the side of the completed cake.

If serving several hours after assembling, place in a domed cake carrier to protect the top, and refrigerate.

Some Thoughts on Strawberries

Lipstick on the Strawberry – the ebook: 99¢ Valentine’s Sale!


Maybe it is its red color, but I associate Valentine’s Day with the strawberry. The taste, a combination of the sweet and the tart, might be a truer metaphor for relationship than gooey chocolate.

Toward the end of last year, I planted strawberries. Previously they had done well when planted in a pot, but this new year’s bunch appeared slightly chewed by an inhabitant of the in-ground bed. The insect abandoned the fruit after a couple of munches. Served it right for not waiting till it reached full, juicy ripeness.

My photo shows the strawberries in their bed, ripening. In my novel, Hannah, a food stylist hired by my catering protagonist, Camilla, startles her at the job interview by seizing a lipstick and swiping an unripe strawberry with it. I wrote the scene before I had a final title for my book. But, I realized, this is a metaphor for the story. The perfect exterior is a façade, hiding something not quite so ideal underneath. That’s what Camilla finds when she goes home for her father’s
funeral, meets her first love, and tries to mend bridges with her distant, diffident siblings. Her father’s rejection of her as a teenager led to a lifetime of self-doubt, but his death uncovers secret after family secret.

The ebook sale of Lipstick on the Strawberry starts Friday, February 15th (I know, the day after Valentine’s, but my publisher always has sales start Fridays). I hope you’ll enjoy my bitter-sweet story, as you savor whatever Valentine’s has in store for you.

And in the lead-up to Valentine’s Day on Thursday, I’ll be publishing some strawberry recipes from Camilla’s recipe index. Enjoy!

Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters

By Anne Boyd Rioux

W.W. Norton, 2018

This month is the 150th anniversary of the publication of Louisa May Alcott’s classic, Little Women. Over the years, Jo, the fictional March family’s second, rebellious daughter, has been seen by adventurous girls as a role model. Apparently Jo was based on Alcott herself, and the other three March sisters in the book mirror Alcott’s own three siblings.

When it first appeared, Alcott’s book was ground-breaking because it was written in a realist style. While Marmee’s admonitions to her girls are sometimes preachy, the book lacks the deadly sermon-like style of most Victorian- era children’s books.

Still, Alcott’s book sends a mixed message. Alcott, who famously said, “I’d rather paddle my own canoe,” than be dependent on a man for financial support, never married. And in her book Meg marries a man who is poor, Beth dies, Amy is regarded as frivolous because she aspires to wealth and beauty, and Jo, after an early start as a writer, ends up marrying a man old enough to be her father, and running a school.

To my childish understanding, this sent the same message that I saw at my all-girls’ school, where all the teachers were what used to be called spinsters: that being a writer – or a teacher – means giving up the idea of a joyful, companionate marriage of equals. For boring Professor Bhaer, whom Jo chooses as her husband is anything but sexy, and he talks down to her. So for reasons described further in my article, How Childhood Reading Shapes Identity, which appeared this week in the online magazine Women Writers, Women’s Books, I identified with both Jo and her older sister Meg, my namesake. I wanted it all.

As time went on, generation after generation of girls identified with the March sisters, and more intellectual girls identified with Jo. As Anne Boyd Rioux points out in her new book, in the middle of the twentieth century feminist scholars began to dissect Little Women with new intensity. They brought to light Alcott’s darker theme. Jo, who fought against conventional behavior for women, is eventually controlled by her older husband, and Beth, the perfect, submissive adolescent, dies. Rioux suggests that Beth died of anorexia, a symptom of girls who resist the physical and mental changes puberty brings.

Rioux is concerned that Alcott is no longer taught in American schools. Apparently teachers feel boys won’t read books about girls, while girls are expected to devour classics about boys. Huck Finn is in, Meg, Jo, Beth and Amy are out.

In a telling paragraph, Rioux notes: “The main obstacle to Little Women’s continued popularity, though, is that young readers are interested in a fundamentally different kind of literature. Girls want adventure, not domestic drama, and they are much more interested in fantasy than realism.”

To my mind, this demonstrates that not much has changed. If girls like heroines who are “witches, warrior princesses or hunters”, then the idea that a girl on the cusp of puberty can truly aspire to the same life choices that are held out to boys, is still far from being the norm.

Read my article in Women Writers, Women’s Books here:
http://booksbywomen.org/how-childhood-reading-shapes-identity-by-margaret-ann-spence/

First Anniversary Sale!

Ever since I was a kid who wrote a “novel” in a blue exercise book, complete with hand-done drawings, I wanted to see a book of mine in actual print.

Last summer, that happened.

It was an amazing feeling to see Lipstick on the Strawberry in print, with its gorgeous cover, designed by Debbie Taylor of The Wild Rose Press. Thanks to everyone who has been so supportive, have written reviews (so important to authors) or have written me a personal note.

I’m especially tickled by the fact that though I consider women to be the book’s target readers, a number of men have commented on how they enjoyed it. They even liked the recipes!

To celebrate the anniversary, the e-book is on sale from August 17-31!
ONLY 99 CENTS!


The Wild Rose Press

Amazon

Barnes and Noble

iBooks (Apple)

Books About Mothers

This Mother’s Day, I mused about how many books focus on mothers and their relationships with their children. Here are ten books about mothers. Some have been reviewed in my blog over the past few years. They range from memoir, romance, and women’s fiction to literary fiction. All are worth reading. Mentioned (almost) alphabetically by author.

Glitter & Glue by Kelly Corrigan
A young American in search of adventure becomes a nanny in Sydney, Australia. The children she cares for have lost their mother to cancer. Poignant, humorous and very well written. Reviewed May 2015.

The Distance Between Us by Reyna Grande
A mother leaves her children in Mexico to go to the USA for a better life. The children run away from their grandmother’s house to follow her. A harrowing memoir, more topical today than ever. Reviewed October 2014

The House By The River by Lena Manta
The five daughters of Greek village widow Theodora grow up and move far away. Manta explores the adult lives of all five daughters and their own relationships with their children. One theme running through all the stories is male dominance, and how women in this traditional culture were expected simply to stay home and to find total fulfillment in that role. Translated from the Greek, told from multiple points of view in the manner of a fairy tale.

The Good Mother by Sue Miller
Like the late Anita Shreve, Sue Miller was a best-selling author in the nineteen eighties and nineties. Both wrote what I would call classic women’s fiction, though possibly they didn’t like that label. In The Good Mother, Miller’s debut novel, a woman’s sexuality conflicts with her role as mother. The ironic title refers to how Anna, the protagonist, feels about herself. Yet she is in a custody battle for her daughter, Molly.

Family Pictures, by Sue Miller
Family Pictures tells the story of the Lainey and David Eberhardt, whose third child is autistic. The book is set in the nineteen fifties when birth control was not as reliable as it is today and when mothers were blamed for autism. This confluence off actors leads Lainey to give birth to three more children and to the marriage’s eventual break-down. This is a riveting and convincing story of a family struggling to raise a disabled child among siblings who also need attention.

Big Little Lies by Liane Moriarty
In this novel the exceptionally talented Moriarty takes on the subject of kindergarten. Bullying
by both children and adults associated with this innocuous school in its beautiful Sydney
beachside setting shows the nastiness that can lie beneath middle-class lives. Reviewed March 2015.

Housekeeping by Marilynne Robinson
This is a story of how it is to grow up without a mother. Sisters Ruth and Lucille, whose mother
died in a car accident, are brought up in a bizarre way. I found this a horrifying story, completely absorbing and brilliantly written.

Nora Webster by Colm Torbin
An Irish widow struggles to bring up her four children after their father’s untimely death. In the hands of this extraordinary writer, the everyday becomes illuminated, the preciousness and intimate richness of every single life, no matter how withdrawn and circumscribed it may seem, is made clear. Reviewed August 2015.

My Name is Lucy Barton by Elizabeth Strout
Lucy Barton looks back to a time she was hospitalized and over the course of five days had a conversation with her emotionally distant mother. Lucy tries to get her mother to reveal more of herself, to respect her daughter and her drive to be a writer. Lucy’s lack of self-worth comes from receiving too little love and is associated with physical poverty. The novel reveals itself in a series of flashbacks and as it proceeds we ache for Lucy’s need for acceptance from her mother. Reviewed February 2016.

Searching for Mercy Street by Linda Gray Sexton
In contrast to Strout’s thesis, Linda Gray Sexton shows that poverty is not necessarily a pre-condition for difficulties between mother and daughter. This is evident in this memoir by the Harvard-educated daughter of the famed poet Anne Sexton. Anne Sexton, as beautiful as she was brilliant, had a difficult relationship with her own parents. After suffering post-partum depression, she spent much time in psychiatric hospitals before committing suicide at the age of forty-five, leaving a complicated emotional legacy for her two daughters.