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Some Thoughts on Strawberries

Lipstick on the Strawberry – the ebook: 99¢ Valentine’s Sale!


Maybe it is its red color, but I associate Valentine’s Day with the strawberry. The taste, a combination of the sweet and the tart, might be a truer metaphor for relationship than gooey chocolate.

Toward the end of last year, I planted strawberries. Previously they had done well when planted in a pot, but this new year’s bunch appeared slightly chewed by an inhabitant of the in-ground bed. The insect abandoned the fruit after a couple of munches. Served it right for not waiting till it reached full, juicy ripeness.

My photo shows the strawberries in their bed, ripening. In my novel, Hannah, a food stylist hired by my catering protagonist, Camilla, startles her at the job interview by seizing a lipstick and swiping an unripe strawberry with it. I wrote the scene before I had a final title for my book. But, I realized, this is a metaphor for the story. The perfect exterior is a façade, hiding something not quite so ideal underneath. That’s what Camilla finds when she goes home for her father’s
funeral, meets her first love, and tries to mend bridges with her distant, diffident siblings. Her father’s rejection of her as a teenager led to a lifetime of self-doubt, but his death uncovers secret after family secret.

The ebook sale of Lipstick on the Strawberry starts Friday, February 15th (I know, the day after Valentine’s, but my publisher always has sales start Fridays). I hope you’ll enjoy my bitter-sweet story, as you savor whatever Valentine’s has in store for you.

And in the lead-up to Valentine’s Day on Thursday, I’ll be publishing some strawberry recipes from Camilla’s recipe index. Enjoy!

Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters

By Anne Boyd Rioux

W.W. Norton, 2018

This month is the 150th anniversary of the publication of Louisa May Alcott’s classic, Little Women. Over the years, Jo, the fictional March family’s second, rebellious daughter, has been seen by adventurous girls as a role model. Apparently Jo was based on Alcott herself, and the other three March sisters in the book mirror Alcott’s own three siblings.

When it first appeared, Alcott’s book was ground-breaking because it was written in a realist style. While Marmee’s admonitions to her girls are sometimes preachy, the book lacks the deadly sermon-like style of most Victorian- era children’s books.

Still, Alcott’s book sends a mixed message. Alcott, who famously said, “I’d rather paddle my own canoe,” than be dependent on a man for financial support, never married. And in her book Meg marries a man who is poor, Beth dies, Amy is regarded as frivolous because she aspires to wealth and beauty, and Jo, after an early start as a writer, ends up marrying a man old enough to be her father, and running a school.

To my childish understanding, this sent the same message that I saw at my all-girls’ school, where all the teachers were what used to be called spinsters: that being a writer – or a teacher – means giving up the idea of a joyful, companionate marriage of equals. For boring Professor Bhaer, whom Jo chooses as her husband is anything but sexy, and he talks down to her. So for reasons described further in my article, How Childhood Reading Shapes Identity, which appeared this week in the online magazine Women Writers, Women’s Books, I identified with both Jo and her older sister Meg, my namesake. I wanted it all.

As time went on, generation after generation of girls identified with the March sisters, and more intellectual girls identified with Jo. As Anne Boyd Rioux points out in her new book, in the middle of the twentieth century feminist scholars began to dissect Little Women with new intensity. They brought to light Alcott’s darker theme. Jo, who fought against conventional behavior for women, is eventually controlled by her older husband, and Beth, the perfect, submissive adolescent, dies. Rioux suggests that Beth died of anorexia, a symptom of girls who resist the physical and mental changes puberty brings.

Rioux is concerned that Alcott is no longer taught in American schools. Apparently teachers feel boys won’t read books about girls, while girls are expected to devour classics about boys. Huck Finn is in, Meg, Jo, Beth and Amy are out.

In a telling paragraph, Rioux notes: “The main obstacle to Little Women’s continued popularity, though, is that young readers are interested in a fundamentally different kind of literature. Girls want adventure, not domestic drama, and they are much more interested in fantasy than realism.”

To my mind, this demonstrates that not much has changed. If girls like heroines who are “witches, warrior princesses or hunters”, then the idea that a girl on the cusp of puberty can truly aspire to the same life choices that are held out to boys, is still far from being the norm.

Read my article in Women Writers, Women’s Books here:
http://booksbywomen.org/how-childhood-reading-shapes-identity-by-margaret-ann-spence/

First Anniversary Sale!

Ever since I was a kid who wrote a “novel” in a blue exercise book, complete with hand-done drawings, I wanted to see a book of mine in actual print.

Last summer, that happened.

It was an amazing feeling to see Lipstick on the Strawberry in print, with its gorgeous cover, designed by Debbie Taylor of The Wild Rose Press. Thanks to everyone who has been so supportive, have written reviews (so important to authors) or have written me a personal note.

I’m especially tickled by the fact that though I consider women to be the book’s target readers, a number of men have commented on how they enjoyed it. They even liked the recipes!

To celebrate the anniversary, the e-book is on sale from August 17-31!
ONLY 99 CENTS!


The Wild Rose Press

Amazon

Barnes and Noble

iBooks (Apple)

Books About Mothers

This Mother’s Day, I mused about how many books focus on mothers and their relationships with their children. Here are ten books about mothers. Some have been reviewed in my blog over the past few years. They range from memoir, romance, and women’s fiction to literary fiction. All are worth reading. Mentioned (almost) alphabetically by author.

Glitter & Glue by Kelly Corrigan
A young American in search of adventure becomes a nanny in Sydney, Australia. The children she cares for have lost their mother to cancer. Poignant, humorous and very well written. Reviewed May 2015.

The Distance Between Us by Reyna Grande
A mother leaves her children in Mexico to go to the USA for a better life. The children run away from their grandmother’s house to follow her. A harrowing memoir, more topical today than ever. Reviewed October 2014

The House By The River by Lena Manta
The five daughters of Greek village widow Theodora grow up and move far away. Manta explores the adult lives of all five daughters and their own relationships with their children. One theme running through all the stories is male dominance, and how women in this traditional culture were expected simply to stay home and to find total fulfillment in that role. Translated from the Greek, told from multiple points of view in the manner of a fairy tale.

The Good Mother by Sue Miller
Like the late Anita Shreve, Sue Miller was a best-selling author in the nineteen eighties and nineties. Both wrote what I would call classic women’s fiction, though possibly they didn’t like that label. In The Good Mother, Miller’s debut novel, a woman’s sexuality conflicts with her role as mother. The ironic title refers to how Anna, the protagonist, feels about herself. Yet she is in a custody battle for her daughter, Molly.

Family Pictures, by Sue Miller
Family Pictures tells the story of the Lainey and David Eberhardt, whose third child is autistic. The book is set in the nineteen fifties when birth control was not as reliable as it is today and when mothers were blamed for autism. This confluence off actors leads Lainey to give birth to three more children and to the marriage’s eventual break-down. This is a riveting and convincing story of a family struggling to raise a disabled child among siblings who also need attention.

Big Little Lies by Liane Moriarty
In this novel the exceptionally talented Moriarty takes on the subject of kindergarten. Bullying
by both children and adults associated with this innocuous school in its beautiful Sydney
beachside setting shows the nastiness that can lie beneath middle-class lives. Reviewed March 2015.

Housekeeping by Marilynne Robinson
This is a story of how it is to grow up without a mother. Sisters Ruth and Lucille, whose mother
died in a car accident, are brought up in a bizarre way. I found this a horrifying story, completely absorbing and brilliantly written.

Nora Webster by Colm Torbin
An Irish widow struggles to bring up her four children after their father’s untimely death. In the hands of this extraordinary writer, the everyday becomes illuminated, the preciousness and intimate richness of every single life, no matter how withdrawn and circumscribed it may seem, is made clear. Reviewed August 2015.

My Name is Lucy Barton by Elizabeth Strout
Lucy Barton looks back to a time she was hospitalized and over the course of five days had a conversation with her emotionally distant mother. Lucy tries to get her mother to reveal more of herself, to respect her daughter and her drive to be a writer. Lucy’s lack of self-worth comes from receiving too little love and is associated with physical poverty. The novel reveals itself in a series of flashbacks and as it proceeds we ache for Lucy’s need for acceptance from her mother. Reviewed February 2016.

Searching for Mercy Street by Linda Gray Sexton
In contrast to Strout’s thesis, Linda Gray Sexton shows that poverty is not necessarily a pre-condition for difficulties between mother and daughter. This is evident in this memoir by the Harvard-educated daughter of the famed poet Anne Sexton. Anne Sexton, as beautiful as she was brilliant, had a difficult relationship with her own parents. After suffering post-partum depression, she spent much time in psychiatric hospitals before committing suicide at the age of forty-five, leaving a complicated emotional legacy for her two daughters.

Little Gods

By Andrew Levkoff
Peacock Angel Publishing, 2017

Readers of this blog know how fascinated I am with the ancient world. In his trilogy, The Bow of Heaven, Andrew Levkoff introduces us to Alexandros, the Greek-born slave to Marcus Licinius Crassus, Rome’s richest man. Crassus, along with Pompey and Caesar, formed the first triumvirate. Naturally these three ambitious and competitive men were soon at odds. At the end of Levkoff’s trilogy Crassus undertakes a disastrous campaign against the Parthians and is killed. Levkoff ends the book by introducing us to a new character, Melyaket.

Little Gods is the story of the childhood and young adulthood of Melyaket and his rival, Scolotes. As children in the remote village of Sinjar in Parthia (modern day Iran) Scolotes and Melykalet play together. But Scolotes is always an outsider, regarded as being cursed because he was born with one gray and one brown eye. If the circumstances of Scolotes’ birth were unfortunate, Melykalet is blessed. He seems always to have the favor of the gods. How this plays out is the crux of this story. Because of Levkoff’s skilled writing, the reader feels empathy for both characters.

Today the Middle East is still mired in war. So the author does not miss the opportunity to bring the reader into the modern world too. In Little Gods, Andrew Levkoff harnesses his extraordinary story-telling powers to take the reader into the same place, two thousand years apart. In Saddam Hussein’s Iraq, helicopters circle the land inhabited by Kurds. Their aim seems to be to annihilate anything that moves. Two thousand years earlier, the same area was also a place of seemingly endless conflict.

The senselessness of war is an underlying theme of Levkoff’s work. Sadly, his book illuminates the fact that humans have not yet learned to live and let live, even two thousand years after the empires of Rome and Parthia fought for domination of this harsh desert.

This rather bleak view of human nature is mitigated by Levkoff’s compassion for human frailty. And by setting his story in a war-torn part of the world, he reminds us that our good fortune is just that -an accident of birth.

This is a fast-paced story you won’t put down.

The All-Americans

The All-Americans
By Angela Farley

Amazon Digital Services, 2017

We live in an age of terrorism. We live in an age of gun violence. When the two are combined on American soil, with innocent hostages slated for execution, our sense of safety unravels.

In this gripping story, twelve random strangers are kidnapped in movie theatres across the United States. They are imprisoned by operatives intent on punishing Americans for the violence they’ve inflicted in other parts of the world during the war on terror. Oddly, the terrorists themselves are for the most part not foreigners, but mercenaries hired to execute the victims one by one. And, foiling their plan to kill all-Americans, the victims are not all native-born citizens of the United States. This is the first twist this author introduces to her plot. It is a telling one, because it indicates the real nature of our diverse society. What truly, does it mean to be an American, she suggests. As the book progresses, it becomes a fascinating study of the relationships that develop between some of the captives and their captors. If the captor can begin to see his victim as a human being, then there is a possibility of hope. But that is not all. The captive too, can shape the narrative if given time to think, observe, and above all, have someone else to live for.

I had the pleasure of meeting Angela Farley when she shared an author event with me at Orinda Books, California, on October 21. She is a nurse by profession, and her knowledge of physiology gives her story a lot of credibility as she describes the reactions of the victims to their predicament. Angela also remarked during her reading of passages from The All-Americans that she reflected on her time in the Emergency Room. Patients would come in with life-altering illnesses or injuries, all of them shocked to find themselves in this situation. Some would fight for their lives and some would give up. The will to live is what enables some victims of threatened death to survive. In another twist on the expected, Angela Farley shows us that this will can change throughout the ordeal; a chance to live given up one moment may not be the end, and conversely, a determination to survive may be snuffed out by a captor’s quick trigger.

Angela Farley has written a movie-worthy thriller, as much a psychological study of captives and captors as an action-filled story. This book kept me up for hours as I read it in a single sitting.

Quick, Grab The Lipstick!

People always ask me about my book’s title, Lipstick on the Strawberry. I came across the idea while researching a caterer’s daily life. My heroine, Camilla, has a catering business. She hires a young woman who is training to be a food stylist. The girl grabs an unripe strawberry, swipes red lipstick across its green surface and snaps a photo. The picture shows a luscious, shiny fruit.

My story involves a family secret hidden under a gloss of respectability. How often does that happen in real life? Even in families with perfectly ordinary lives, there are often stories best left kept from the world.

Camilla is English. The story is set partly in Boston, where I lived for many years, and partly in Cambridge, England, where I’ve spent months at a time. I wanted to capture Camilla’s sense of “in between-ness” as she contemplates whether to stay in the U.S. where business opportunities are better, or to try to reconcile with her estranged family in England. Her romance complicates these decisions.

Cambridge, England, is to my mind one of the most beautiful cities in the world. It is the home of one of the world’s oldest universities and of some of the world’s finest minds. So to an ordinary person like myself it can seem intimidating. Camilla feels shut out of this world because unlike her academic family, she struggled at school. All she wants to do is to cook.

I took the above photo of King’s College, Cambridge. I think it illustrates Camilla’s mindset – and as
the book progresses, she becomes more self-accepting.

Now For The Thank Yous

As I go into launch week for my debut novel, Lipstick on the Strawberry, I want to thank everyone who helped it happen.

First, (and they all know this) my wonderful, wonderful writer’s group, led by the generous and insightful Marylee MacDonald. I’ve been in writers’ groups before, but this group is by far the most productive and supportive. We’ve produced several books between us in the past few years and more are in the pipeline.

Secondly, The Wild Rose Press. This amazing small publisher has a devoted stable of authors. Why devoted? Because TWRP creates a community amongst its writers with weekly online chats, a very active marketing director who answers questions promptly and kindly even though she must be asked the same question a thousand times over, and a fabulous editorial team, including my own editor Sherri Good. And Debbie Taylor, the cover artist, created a cover which exactly captures the essence of the book.

Thirdly, the talented Kristen Burkhart Ferhati, who designed my website and helps this technologically challenged writer put up the blog.

Finally, my friends and family, particularly my dearest John, my husband, for their interest, support, and patience as I birthed this fourth baby of mine (The others are human. I could have told you that characters in books don’t answer you back, but that is actually not true. Those pesky characters often surprise the author and do exactly what they want – just like human offspring!)

I’ve also been honored to be a guest on several author blogs. So if you would like to pop over to the delightful Peggy Jaeger’s site, Writing Is My Oxygen, please do. She’s featuring an interview with me on Wednesday, 6th July.
Also check out Bonnie McCune’s blog, Ordinary People, Extraordinary Lives. My piece, Jury Duty, appeared on Bonnie’s site in February.

August 15, I’ll be engaging with fellow women’s fiction writers at the WFWA’s Launch Party and also appearing on the writer and photographer Clancy Tucker’s charming blog.
 
July 4 falls on a Tuesday this year and many people are taking an extra-long weekend. Enjoy, and eat an extra serving of ice-cream. Strawberry of course. 🍓