The Women’s Fiction Writers Association is a nation-wide, online group offering connection, classes, critique groups, and other helpful programs for authors. It also offers two annual competitions: The Star Award for published books of women’s fiction, and the Rising Star Award, for unpublished novels. Last year I was a judge for the Rising Star Award and enjoyed it so much that I volunteered to judge this year’s Star Award. It’s a lot of reading, but that’s what I do.
This week, I’m teaming up with two other Arizona based members of WFWA to offer a 99¢ ebook sale of our books. My novel, Lipstick on the Strawberry, is on sale through March 1, and Susan Haught’s and Katie O’Rourke’s books will go on sale February 19-25th. I’ll interview these writers this week on my blog.
Who knows why this very British cake is called Victoria Sponge? It’s not elaborate; the ingredients are simple. And it comes topped with cream and strawberries. For that reason, I’ve chosen this as a Valentine’s Day cake. Chocolate is always delicious, but so predictable on this day of romance. Strawberries are equally delicious and, as in my book, Lipstick on the Strawberry, associated with love.
This cake, as with all genoise cakes, bakes up on the dry side. That’s why moistening the top of the layers with macerated liquored strawberries gives it that little extra. Or simply use thick strawberry jam mixed with kirsch to moisten in the same way.
CakeCooking spray for the pans
1 ½ cups cake flour, sifted three times
½ cup sugar
¼ cup melted butter
1 teaspoon vanilla extract
Strawberry Filling2 cups strawberries, washed and hulled
3 tbs sugar
2 tsp kirsch
1/8 tsp salt
Or, if you are pressed for time, use 2 cups best-quality strawberry jam, plus the other ingredients.
Cream Topping1 ½ pints heavy cream, chilled
3 oz powdered sugar
MethodThis cake achieves its lightness without the addition of baking soda or powder because it is beaten to an airy froth while warm.
Bring the ingredients to room temperature.
Preheat the oven to 350F. Spray two 9 -inch cake pans, and cover the bottom of each with parchment paper cut to size.
Sift the flour and melt the butter gently.
Bring a large saucepan of water to the simmer. Your mixing bowl should be able to just fit inside the top of the pan so its bottom is over, but not touching, the simmering water.
First, mix the eggs in the bowl in a stand mixer until frothy. Beat in the sugar till it is blended with the eggs. Then put the bowl over the pan of water on the stove and whisk the egg-sugar mixture for 3-4 minutes till it is warm.
Remove the bowl to the stand mixer and beat on high or so until it becomes thick and light and the texture of whipped cream. Separate the already sifted flour into three batches, sift each over the mix and gently fold in each addition. Meanwhile, reheat the butter until hot, and pour into a small bowl. Take one and a half cups of the egg mixture and incorporate into the butter, together with the vanilla. Fold it all gently back into the larger egg/sugar mix bowl.
Pour the batter into the two pans and bake for 20 minutes until the cake starts to pull away from the sides. The top should spring back when touched with your finger. Do not overbake.
Remove from the oven and cool on wire racks for 10 minutes, then run a knife around the edges of the cakes and invert onto racks to cool completely.
Meanwhile, make the strawberry mash filling. Reserve two dozen of the most beautiful strawberries. Cut up the remainder and toss with the sugar into a bowl and let sit for one hour.
Strain the juice from the berries and reserve, to make half a cup. Pour into a small saucepan and add the kirsch. Heat gently and cook until the mixture is syrupy. You should have about 3-4 tbs. Remove from the heat and reserve.
Put the sugared berries into a food processor and chop. This will yield about 1 ½ cups.
Add these processed berries to the syrup, stir in the salt, and wait till the cake is cooled.
If using jam instead of fresh berries, heat it gently in a saucepan and add the kirsch. Let sit so the flavors mingle.
When the cakes are completely cool, take a cake platter and prepare it by cutting four long strips of parchment paper to cover it. This will keep the platter clean while you assemble the cake.
Whip the cream, adding sugar when soft peaks form, until the cream forms stiff peaks.
Carefully lift one cake from its pan and lay on the paper. Spread half of the macerated, liquored berry or jam-kirsch mix onto the cake, leaving about half an inch around the border. With a rubber spatula, carefully cover this layer with half of the whipped cream, again leaving space around the border.
Place the second cake layer on top of the first, pressing gently down. The cream will squish out to the edge of the cake. Repeat the steps of covering this layer with strawberries or jam, then whipped cream.
Now, pull out the parchment strips from under the cake, very carefully. Don’t worry, any little flaws that are caused in the cake by pulling out the strips can be hidden by a ring of berries.
Finally, halve the reserved berries and put them around the side of the completed cake.
If serving several hours after assembling, place in a domed cake carrier to protect the top, and refrigerate.
Lipstick on the Strawberry – the ebook: 99¢ Valentine’s Sale!
Maybe it is its red color, but I associate Valentine’s Day with the strawberry. The taste, a combination of the sweet and the tart, might be a truer metaphor for relationship than gooey chocolate.
Toward the end of last year, I planted strawberries. Previously they had done well when planted in a pot, but this new year’s bunch appeared slightly chewed by an inhabitant of the in-ground bed. The insect abandoned the fruit after a couple of munches. Served it right for not waiting till it reached full, juicy ripeness.
My photo shows the strawberries in their bed, ripening. In my novel, Hannah, a food stylist hired by my catering protagonist, Camilla, startles her at the job interview by seizing a lipstick and swiping an unripe strawberry with it. I wrote the scene before I had a final title for my book. But, I realized, this is a metaphor for the story. The perfect exterior is a façade, hiding something not quite so ideal underneath. That’s what Camilla finds when she goes home for her father’s
funeral, meets her first love, and tries to mend bridges with her distant, diffident siblings. Her father’s rejection of her as a teenager led to a lifetime of self-doubt, but his death uncovers secret after family secret.
The ebook sale of Lipstick on the Strawberry starts Friday, February 15th (I know, the day after Valentine’s, but my publisher always has sales start Fridays). I hope you’ll enjoy my bitter-sweet story, as you savor whatever Valentine’s has in store for you.
And in the lead-up to Valentine’s Day on Thursday, I’ll be publishing some strawberry recipes from Camilla’s recipe index. Enjoy!
By Robyn Cadwallader
Harper Collins, 2018
Imagine a world without printed or digital book. Imagine a world where books were rare and
precious things, commissioned one by one by the nobility, like works of art. In these books the
story, usually a religious one, becomes intimately connected with the illuminated pictures that
surround the letters on the page.
Imagine being the artist who illustrated these books.
By the beginning of the fourteenth century, as Robyn Cadwallader shows us in this novel, the art
of illuminating manuscripts was moving beyond the monasteries and into the secular world. In
small workshops, closely associated with scribes and stationers who provided the pages of text,
young men apprenticed under master craftsmen. Like all creative businesses, the work was
dependent on commissions, and in this war-torn, famine-riven century in England, the book trade
was not one to make a practitioner wealthy.
The atelier of John Dancaster, a master limner, or illuminator, is the setting for this fascinating
story. Dancaster is assisted by his wife, Gemma, their son, Nick, who is learning to mix paints,
Ben, an apprentice who is about to graduate to become a journeyman, and Will, who arrives in
London looking for work. Will has mysteriously left his own apprenticeship with a master
craftsman in Cambridge just short of producing his “master piece,” which would have enabled
his graduation to skilled artisan. A fine master piece from a student of a famous limner would be
the ticket to employment. Will must now prove his worth in a strange city and workshop.
There are three point of view characters in this story – Will, Gemma, and Mathilda, the widow of
a nobleman who has just died fighting King Edward II. She’s commissioned a book from the
Dancaster workshop as a symbol of the family’s status. But her husband’s death fighting a rebel
cause makes him a traitor and her fate unclear.
Through the characters and the changing relationships between them, Cadwallader explores class
and gender. Through Gemma’s eyes, resentment burns at how women, who might be as skilled
as their husbands and fathers in the trade, were not acknowledged. They were allowed to
supervise the apprentices, and Gemma is writing a book called The Art of Illumination. This
book within a book is fascinating. It describes how to make an illuminated manuscript. These
excerpts, and the entire novel, capture the joy and the frustration of creative work; the absolute
need to do it, to be original, to express something new within a set of traditions, and to strive for
the highest quality.
Robyn Cadwallader’s first novel was The Anchoress, a story of a religious hermit. Also set in
medieval times, that book questions what it means to be a woman in a male-dominated religious
and secular world. This second novel expands that thought through a sympathetic rendering of
male characters as well, and contrasts the ideals of renunciation and acceptance vs. action
involving danger and change. This is riveting history with characters whose traits register today.