By Maryanne O’Hara Penguin 2012 In the mid-nineteen thirties, the growing city of Boston needed a secure water supply. To create the Quabbin Reservoir, a thriving small town to the west of the city was submerged. This novel about the threat of the flood to the town, aptly and fictionally named Cascade, tells a story about an artist who is married to a steady but boring man, her desire to paint rather than to have children, and her affair with a fellow artist. Fundamentally, it is about the tension between the need to create art that lives beyond the life of the artist, and the choices the artist makes to achieve that. Set in The Depression, with World War II looming, and anti-Semitism rampant even in America, especially in a small town where gossip runs rife, this story aches with a sense of impending loss before, during and after Dez Hart’s affair with a Jewish peddler who is also a serious artist. Dez’s late father had built a Shakespearian playhouse in the town, and its fate becomes crucial to the story. Dez uses her artistic skills to bring attention to the damage that will be done by flooding people’s homes and farms, and to save the playhouse. The dilemma of a woman artist who cannot help but paint and sees that having a baby will end her budding career is another major theme of the book. I loved 0’Hara’s descriptions of how an artist paints, the conception and the execution. The author’s research into working lives, transportation, communication, housekeeping, and the role of women in the thirties also fascinated me. Minor characters, such as Abby, Dez’s best friend, are well drawn. The lure of the big city versus the security of life in a small town is also articulated well, though only from the point of view of Dez, who wants to escape Cascade. Given the material, this story could be much darker than O’Hara makes it. So many suffered extremely during The Depression and in World War II, and with divorce so difficult to attain and artistic success for a women equally difficult to achieve, Dez’s troubles are overcome a tad too easily. That’s partly because 0’Hara makes Asa, Dez’s unwanted husband, a thoroughly decent person. One never forgets, in this story, that Dez has choices unavailable to others. Still, an historical novel set in a recognizable place, dealing with the real dilemmas of the day, always makes enjoyable reading. It kept me turning pages, wanting to know what happens next.